главная	песни	уроки	диалоги
учебник	клипы	тесты	монологи
фильмы	аудиокурс	видеокурс	аудиокниги

Выбор субтитров

Далее >> 5-10.

English subtitles. Person Of Interest - В поле зрения. 5-9.

1
00:00:02,613 --> 00:00:04,272
FINCH:
You are being watched.

2
00:00:04,273 --> 00:00:06,112
The government has a secret system...

3
00:00:06,113 --> 00:00:07,982
secret system.

4
00:00:07,983 --> 00:00:11,772
MAN: A system you asked for
to keep you safe.

5
00:00:11,773 --> 00:00:16,192
FINCH: A machine that spies on you
every hour of every day.

6
00:00:16,193 --> 00:00:18,812
MAN: You granted it the power
to see everything.

7
00:00:18,813 --> 00:00:23,812
To index, order, and control
the lives of ordinary people.

8
00:00:23,813 --> 00:00:27,112
FINCH: The government considers
these people irrelevant.

9
00:00:27,113 --> 00:00:28,812
We don't.

10
00:00:28,813 --> 00:00:31,652
MAN: But to it you are
all irrelevant,

11
00:00:31,653 --> 00:00:33,272
victim or perpetrator,

12
00:00:33,273 --> 00:00:35,112
if you stand in it's way...

13
00:00:35,113 --> 00:00:37,113
FINCH: We'll find you.

14
00:00:37,138 --> 00:00:39,138
Improved By: Fidel33
Sub Upload Date: May 31, 2016

15
00:00:39,113 --> 00:00:42,112
(SUSPENSEFUL MUSIC)

16
00:00:42,113 --> 00:00:50,113
(MUSIC)

17
00:01:10,613 --> 00:01:13,613
(SPEAKING SPANISH)

18
00:01:14,653 --> 00:01:17,653
(SPEAKING SPANISH)

19
00:01:41,443 --> 00:01:44,443
(SHAW SPEAKING SPANISH)

20
00:01:46,153 --> 00:01:48,733
Hope you brought sunscreen.

21
00:01:51,653 --> 00:01:53,982
Sit your ass back down, Chiquita.

22
00:01:53,983 --> 00:01:56,982
You're gonna pay your fare another way.

23
00:01:56,983 --> 00:01:59,982
(GRUNTING)

24
00:01:59,983 --> 00:02:03,072
(DRAMATIC MUSIC)

25
00:02:03,073 --> 00:02:06,112
(MUSIC)

26
00:02:06,113 --> 00:02:09,113
(MOANING)

27
00:02:10,573 --> 00:02:13,573
(SPEAKING SPANISH)

28
00:02:14,573 --> 00:02:16,732
(SPEAKING SPANISH)

29
00:02:16,733 --> 00:02:19,073
What are you gonna do? Kill us?

30
00:02:21,983 --> 00:02:24,612
Walk northeast about ten miles...

31
00:02:24,613 --> 00:02:26,982
you might live.

32
00:02:26,983 --> 00:02:29,812
And I think I'm gonna need this.

33
00:02:29,813 --> 00:02:32,402
(MUSIC)

34
00:02:32,403 --> 00:02:35,402
(TRUCK ENGINE TURNS OVER)

35
00:02:35,403 --> 00:02:43,403
(MUSIC)

36
00:02:47,273 --> 00:02:50,273
(ELECTRONIC BUZZING)

37
00:02:52,113 --> 00:02:54,443
Got eyes on our new number, Finch.

38
00:02:56,273 --> 00:02:58,402
He's like us,

39
00:02:58,403 --> 00:03:00,982
except he actually has a license
for breaking and entering.

40
00:03:00,983 --> 00:03:04,692
Indeed... Terry Easton.

41
00:03:04,693 --> 00:03:09,072
Thirty eight, lives with his wife Carla.

42
00:03:09,073 --> 00:03:11,772
He's had a number of odd jobs
but appears to have settled

43
00:03:11,773 --> 00:03:13,732
on that of a locksmith.

44
00:03:13,733 --> 00:03:18,072
24 hour service, case in point,
6:00 a.m. job.

45
00:03:18,073 --> 00:03:21,312
Apart from a few parking tickets,

46
00:03:21,313 --> 00:03:25,312
Mr. Easton appears
to be a model citizen.

47
00:03:25,313 --> 00:03:26,772
What are you doing, Finch?

48
00:03:26,773 --> 00:03:28,112
Doing a little cleaning, Mr. Reese.

49
00:03:28,113 --> 00:03:29,572
Just because it looks like a subway,

50
00:03:29,573 --> 00:03:31,022
doesn't mean it has to smell like one.

51
00:03:31,023 --> 00:03:32,022
(DOG BARKING)

52
00:03:32,023 --> 00:03:33,942
No, Bear. Voruit.

53
00:03:33,943 --> 00:03:37,272
Good morning. You missed a spot.

54
00:03:37,273 --> 00:03:39,272
Ms. Groves, what can I help you with?

55
00:03:39,273 --> 00:03:43,072
Actually, I think
I'm here to help you, Harry.

56
00:03:43,073 --> 00:03:44,572
She gave me a number...

57
00:03:44,573 --> 00:03:48,272
a radio engineer, Matthew Stone.

58
00:03:48,273 --> 00:03:49,772
Guy's in charge of maintenance

59
00:03:49,773 --> 00:03:51,772
on the radio antennas
across the boroughs.

60
00:03:51,773 --> 00:03:55,072
He might be helping Samaritan
spread its coded messages.

61
00:03:55,073 --> 00:03:57,072
Or he may have stumbled
onto Samaritan's plot

62
00:03:57,073 --> 00:03:58,612
and become a liability.

63
00:03:58,613 --> 00:03:59,942
Either way, you should proceed

64
00:03:59,943 --> 00:04:01,572
with extreme caution, Ms. Groves.

65
00:04:01,573 --> 00:04:03,232
Don't worry, Harry.

66
00:04:03,233 --> 00:04:06,112
I'll keep my eye on Stone
from a distance,

67
00:04:06,113 --> 00:04:08,442
and I'm pretty sure...

68
00:04:08,443 --> 00:04:10,442
I'll have the biggest gun on the block.

69
00:04:10,443 --> 00:04:13,442
(DRAMATIC MUSIC)

70
00:04:13,443 --> 00:04:18,362
Finch, I don't think Easton's
6:00 a.m. job is on the clock.

71
00:04:18,363 --> 00:04:20,612
(MUSIC)

72
00:04:20,613 --> 00:04:22,192
The guy's breaking in.

73
00:04:22,193 --> 00:04:25,232
Got any intel on this building, Finch?

74
00:04:25,233 --> 00:04:28,192
"Kepler & Mountain Investments,"

75
00:04:28,193 --> 00:04:30,612
private equity firm handling accounts

76
00:04:30,613 --> 00:04:32,442
in the hundreds of millions.

77
00:04:32,443 --> 00:04:34,522
The firm would most certainly
have its share

78
00:04:34,523 --> 00:04:36,232
of valuable information.

79
00:04:36,233 --> 00:04:38,442
I think he's here to steal it.

80
00:04:38,443 --> 00:04:41,442
(BEEPING)

81
00:04:41,443 --> 00:04:46,862
(MUSIC)

82
00:04:46,863 --> 00:04:48,232
Easton triggered the door alarm...

83
00:04:48,233 --> 00:04:49,522
(GUN COCKS)

84
00:04:49,523 --> 00:04:50,772
And it didn't seem to stop him.

85
00:04:50,773 --> 00:04:53,692
(MUSIC)

86
00:04:53,693 --> 00:04:55,573
That's not gonna happen, friend.

87
00:04:57,943 --> 00:05:00,272
Stay back... or else.

88
00:05:00,273 --> 00:05:01,772
Or else what?

89
00:05:01,773 --> 00:05:04,612
You set off that bomb, we all go.

90
00:05:04,613 --> 00:05:08,272
Between the flop sweat and shaky hands,

91
00:05:08,273 --> 00:05:10,524
you don't strike me as a killer.

92
00:05:11,363 --> 00:05:13,750
And I don't think you're suicidal.

93
00:05:16,193 --> 00:05:18,263
If you're not careful...

94
00:05:19,773 --> 00:05:23,052
we're all gonna have a really bad day.

95
00:05:24,023 --> 00:05:27,312
(MUSIC)

96
00:05:27,313 --> 00:05:28,862
May I?

97
00:05:28,863 --> 00:05:34,152
(MUSIC)

98
00:05:34,153 --> 00:05:35,152
(WHIMPERS)

99
00:05:35,153 --> 00:05:36,812
(BEEPS)

100
00:05:36,813 --> 00:05:39,522
(PANTING)

101
00:05:39,523 --> 00:05:40,876
Now...

102
00:05:41,363 --> 00:05:43,942
it's time that you and I
had a little chat.

103
00:05:43,943 --> 00:05:46,652
(BREATHING HEAVILY)

104
00:05:46,653 --> 00:05:47,942
(MUSIC)

105
00:05:47,943 --> 00:05:50,943
(ELECTRONIC FIZZLING)

106
00:05:55,273 --> 00:05:58,751
Bomb squad handles explosives
out of this precinct.

107
00:06:00,273 --> 00:06:01,812
If we find it's a terrorist act,

108
00:06:01,813 --> 00:06:04,199
we kick it to Homeland Security.

109
00:06:06,573 --> 00:06:09,232
That's felony weight. It's a long time.

110
00:06:09,233 --> 00:06:11,687
But you're no terrorist, are you Terry?

111
00:06:12,363 --> 00:06:14,312
You didn't make that bomb.

112
00:06:14,313 --> 00:06:16,230
So you want to tell me who did?

113
00:06:16,523 --> 00:06:19,522
(DRAMATIC MUSIC)

114
00:06:19,523 --> 00:06:21,862
(MUSIC)

115
00:06:21,863 --> 00:06:23,744
Coffee's not bad.

116
00:06:25,313 --> 00:06:26,982
Not good, either.

117
00:06:26,983 --> 00:06:29,903
Well, it's a hell of a lot worse
in Supermax.

118
00:06:31,523 --> 00:06:34,070
Who sent you into that investment firm?

119
00:06:35,193 --> 00:06:38,442
(ELECTRONIC CRACKLING)

120
00:06:38,443 --> 00:06:41,022
(MUSIC)

121
00:06:41,023 --> 00:06:44,022
(ELECTRONIC CRACKLING)

122
00:06:44,023 --> 00:06:45,572
(TELEVISION STATIC)

123
00:06:45,573 --> 00:06:48,152
You want to tell me
what's really going on?

124
00:06:48,153 --> 00:06:52,812
(MUSIC)

125
00:06:52,813 --> 00:06:56,239
Easton seems terrified,
but he won't talk.

126
00:06:56,693 --> 00:06:59,442
He's either paid
to plant that bomb or coerced.

127
00:06:59,443 --> 00:07:02,272
His finances look rather ordinary.

128
00:07:02,273 --> 00:07:04,612
I don't see anything that
suggests he's been paid off,

129
00:07:04,613 --> 00:07:07,272
and he's certainly not a client
of such a high-end firm.

130
00:07:07,273 --> 00:07:10,272
He doesn't seem like a pro,
so why use him to begin with?

131
00:07:10,273 --> 00:07:11,942
Perhaps that's why, Mr. Reese.

132
00:07:11,943 --> 00:07:14,072
Because our locksmith appears so benign,

133
00:07:14,073 --> 00:07:15,772
you'd never see him coming.

134
00:07:15,773 --> 00:07:17,572
Well, I confiscated his cell.

135
00:07:17,573 --> 00:07:20,072
(BEEPING)

136
00:07:20,073 --> 00:07:22,073
See what you can find.

137
00:07:23,273 --> 00:07:25,443
(SIGHS)

138
00:07:26,613 --> 00:07:28,176
So, where's the new partner?

139
00:07:29,983 --> 00:07:32,232
His transfer's still pending.

140
00:07:32,233 --> 00:07:34,231
I'm flying solo until then.

141
00:07:34,813 --> 00:07:36,232
Just like this guy.

142
00:07:36,233 --> 00:07:37,527
Incoming.

143
00:07:38,153 --> 00:07:41,335
FUSCO: One of New York's Finest
taking on a gang of Templarios.

144
00:07:41,983 --> 00:07:43,072
Hey, Chen, let me give you a hand.

145
00:07:43,615 --> 00:07:44,652
Mr. Reese?

146
00:07:44,653 --> 00:07:47,612
I've discovered an alarming
self-deleting text

147
00:07:47,613 --> 00:07:50,560
on Mr. Easton's phone,
and I've restored it.

148
00:07:51,483 --> 00:07:53,473
It's Mr. Easton's wife.

149
00:07:55,233 --> 00:07:58,942
REESE: I know this is your wife Carla,
and I know you're scared.

150
00:07:58,943 --> 00:08:02,811
What I don't know
is who sent this message.

151
00:08:03,523 --> 00:08:06,903
Whoever it is knew you could
access that investment firm.

152
00:08:08,233 --> 00:08:10,153
He said not to talk to anyone.

153
00:08:14,023 --> 00:08:17,230
- He said he'd kill her.
- He?

154
00:08:17,653 --> 00:08:20,362
Terry, I can't save Carla
unless you talk to me.

155
00:08:20,363 --> 00:08:22,232
Tell me who he is.

156
00:08:22,233 --> 00:08:24,902
I can't tell you because I don't know.

157
00:08:24,903 --> 00:08:28,272
(SUSPENSEFUL MUSIC)

158
00:08:28,273 --> 00:08:30,806
I got a call from someone.

159
00:08:31,613 --> 00:08:33,507
It was just a voice,

160
00:08:34,073 --> 00:08:36,062
but he knew everything about me.

161
00:08:36,573 --> 00:08:38,383
He said he'd kill Carla.

162
00:08:38,943 --> 00:08:40,871
He sent that text.

163
00:08:41,153 --> 00:08:43,402
An hour later, a package was delivered

164
00:08:43,403 --> 00:08:44,982
to my door.

165
00:08:44,983 --> 00:08:48,710
A bomb with instructions.

166
00:08:49,113 --> 00:08:52,152
(MUSIC)

167
00:08:52,153 --> 00:08:54,095
And I failed.

168
00:08:55,193 --> 00:08:57,293
(TELEPHONE RINGING)

169
00:08:58,193 --> 00:09:00,022
It's him.

170
00:09:00,023 --> 00:09:04,692
(MUSIC)

171
00:09:04,693 --> 00:09:06,104
Answer it.

172
00:09:06,242 --> 00:09:08,612
(PHONE RINGING)

173
00:09:08,613 --> 00:09:09,757
(CLEARS THROAT)

174
00:09:10,273 --> 00:09:11,629
Hello?

175
00:09:11,943 --> 00:09:14,634
Mr. Easton, you failed your assignment.

176
00:09:14,863 --> 00:09:16,942
And while I appreciate the effort,

177
00:09:16,943 --> 00:09:18,692
I'm sorry to inform you

178
00:09:18,693 --> 00:09:20,442
that you're never going to see
your wife again.

179
00:09:20,443 --> 00:09:22,362
I hope you understand.

180
00:09:22,363 --> 00:09:24,974
Cleanliness is all.

181
00:09:25,403 --> 00:09:26,814
Mr. Reese...

182
00:09:27,773 --> 00:09:30,233
I'm afraid I recognize that voice.

183
00:09:37,851 --> 00:09:40,585
Finally, a chance to speak
to the man who handed me

184
00:09:40,672 --> 00:09:41,758
my first defeat.

185
00:09:41,759 --> 00:09:44,971
I hope you understand.
Cleanliness is all.

186
00:09:44,973 --> 00:09:47,172
(BEEPING)

187
00:09:47,173 --> 00:09:48,592
(ELECTRONIC FIZZLING)

188
00:09:48,593 --> 00:09:50,598
Voice analysis was a match.

189
00:09:51,343 --> 00:09:53,132
The last time we encountered The Voice,

190
00:09:53,133 --> 00:09:55,512
he had coerced a 911 call operator

191
00:09:55,513 --> 00:09:57,092
into covering up a murder.

192
00:09:57,093 --> 00:10:00,012
That call center operator
had access to a server.

193
00:10:00,013 --> 00:10:02,842
Just like Easton could access
the investment firm.

194
00:10:02,843 --> 00:10:05,302
And in both cases,
The Voice had leverage.

195
00:10:05,303 --> 00:10:08,302
Need I remind you that a child
almost died at his hands.

196
00:10:08,303 --> 00:10:11,525
We need to find Easton's wife
before it's too late.

197
00:10:12,343 --> 00:10:14,672
When was the last time
you heard from Carla?

198
00:10:14,673 --> 00:10:17,262
She never came home
from work last night.

199
00:10:17,514 --> 00:10:18,802
And then the call came.

200
00:10:18,803 --> 00:10:22,302
Mr. Reese? I've managed
to extract location data

201
00:10:22,303 --> 00:10:24,262
from the digital photo of Carla.

202
00:10:24,263 --> 00:10:25,592
She's being held in a warehouse

203
00:10:25,593 --> 00:10:27,342
in the meat-packing district.

204
00:10:27,343 --> 00:10:29,645
I'm sending you the address now.

205
00:10:30,923 --> 00:10:32,324
Is that about Carla?

206
00:10:32,673 --> 00:10:34,592
You know... you know where she is?

207
00:10:34,593 --> 00:10:36,468
Don't worry, we'll find her.

208
00:10:36,973 --> 00:10:38,589
Can I come with you?

209
00:10:38,923 --> 00:10:41,302
- Please.
- Stay put.

210
00:10:41,303 --> 00:10:44,092
I will bring her back to you safely.

211
00:10:44,093 --> 00:10:45,613
I promise.

212
00:10:46,133 --> 00:10:48,592
(SUSPENSEFUL MUSIC)

213
00:10:48,593 --> 00:10:51,172
Need you to find
our invisible man, Finch.

214
00:10:51,173 --> 00:10:53,512
I may have an idea
about how to locate The Voice.

215
00:10:53,513 --> 00:10:56,803
Use one enigmatic criminal
to catch another.

216
00:10:58,263 --> 00:11:01,512
Hey, got a location
on a possible hostage.

217
00:11:01,513 --> 00:11:02,842
Could use a little back up.

218
00:11:02,843 --> 00:11:05,380
- I'll have a team ready in two minutes.
- Thanks.

219
00:11:05,673 --> 00:11:09,172
Detective Fusco, thanks for your help
with those Templarios.

220
00:11:09,173 --> 00:11:11,712
They're playing hopscotch
over in holding.

221
00:11:11,713 --> 00:11:13,408
Thought I'd return the favor.

222
00:11:14,053 --> 00:11:16,342
- Case for you.
- My hero.

223
00:11:16,343 --> 00:11:19,172
Amir Siddiq, delivery cab driver.

224
00:11:19,173 --> 00:11:20,342
He got popped the other day
on possession

225
00:11:20,343 --> 00:11:22,265
of an unregistered weapon.

226
00:11:22,553 --> 00:11:24,382
Since when does homicide
handle unregistered weapons?

227
00:11:24,383 --> 00:11:26,052
Since four hours ago.

228
00:11:26,053 --> 00:11:27,922
Ballistics matched the gun
to a two-year-old murder.

229
00:11:28,289 --> 00:11:30,553
All right, great.
I'll add him to the pile.

230
00:11:32,213 --> 00:11:34,224
Hey, Lionel, I need your help.

231
00:11:36,449 --> 00:11:37,841
Keep your secrets.

232
00:11:37,843 --> 00:11:39,172
Don't expect me to be your back up.

233
00:11:39,173 --> 00:11:40,922
I don't need back up.

234
00:11:41,225 --> 00:11:43,012
I need you to keep an eye on Easton.

235
00:11:43,338 --> 00:11:45,382
I'm not your partner anymore,
so get used to it.

236
00:11:45,633 --> 00:11:47,551
Besides, you got cops all around here.

237
00:11:47,553 --> 00:11:49,172
Put a uniform on it.

238
00:11:49,457 --> 00:11:51,843
LIEUTENANT: Detective Riley,
ready to go, sir.

239
00:11:53,843 --> 00:11:56,033
If you don't mind,
I got my own case to deal with.

240
00:11:56,513 --> 00:11:59,212
(DRAMATIC MUSIC)

241
00:11:59,213 --> 00:12:02,303
- (ELECTRONIC BEEPING)
- (OVERLAPPING CHATTER)

242
00:12:09,636 --> 00:12:10,686
Have a seat, Amir.

243
00:12:13,976 --> 00:12:15,765
I don't understand, Detective.

244
00:12:15,766 --> 00:12:18,055
I was told I'd be released,
but then they moved me.

245
00:12:18,056 --> 00:12:20,555
I'm sorry, I-I should have
registered the gun.

246
00:12:20,556 --> 00:12:22,194
I'm sorry, too,

247
00:12:23,426 --> 00:12:26,426
'cause your gun has a body on it.

248
00:12:27,476 --> 00:12:28,657
What?

249
00:12:29,426 --> 00:12:32,475
I-I don't know anything about that.

250
00:12:32,476 --> 00:12:34,265
Look, getting the gun was a bad idea,

251
00:12:34,266 --> 00:12:35,765
but I've been robbed before.

252
00:12:35,766 --> 00:12:37,055
Amir, if you want to get out out here,

253
00:12:37,056 --> 00:12:38,515
you got to tell me
where you got that gun.

254
00:12:38,516 --> 00:12:40,885
Yes, yes, of course. Whatever you need.

255
00:12:40,886 --> 00:12:43,345
I got it from a gun show
in Cleveland six months ago.

256
00:12:43,346 --> 00:12:44,725
You got any proof of that?

257
00:12:44,726 --> 00:12:47,135
I paid in cash. I-I got a receipt,

258
00:12:47,136 --> 00:12:49,040
but I threw it away.

259
00:12:50,556 --> 00:12:52,121
I'm sorry.

260
00:12:53,516 --> 00:12:55,425
All right, hang on, we'll check it out.

261
00:12:55,976 --> 00:12:57,359
Thank you.

262
00:12:58,226 --> 00:13:01,266
(ELECTRONIC FIZZLING)

263
00:13:03,526 --> 00:13:06,237
So you want to know about The Voice?

264
00:13:08,186 --> 00:13:10,864
I suppose I am in your debt.

265
00:13:12,556 --> 00:13:15,360
You and John are the reason
I'm still alive.

266
00:13:15,726 --> 00:13:17,725
I've had a few run-ins
with his operations

267
00:13:17,726 --> 00:13:20,600
over the years. The man's a ghost.

268
00:13:21,386 --> 00:13:23,809
Even ghosts have a trail.

269
00:13:24,686 --> 00:13:26,885
I may know of someone
who's been contracted

270
00:13:26,886 --> 00:13:28,225
by The Voice in the past,

271
00:13:28,226 --> 00:13:30,555
but it'll come at a price.

272
00:13:30,556 --> 00:13:32,725
I'm afraid we're not
in a position to pay you.

273
00:13:32,726 --> 00:13:34,049
I don't want money.

274
00:13:36,726 --> 00:13:38,294
I want to go with you.

275
00:13:41,226 --> 00:13:43,185
The man you're seeking associates

276
00:13:43,186 --> 00:13:45,055
with known criminals and killers.

277
00:13:45,056 --> 00:13:46,925
Trust me, you could use
a hand on this one.

278
00:13:46,926 --> 00:13:49,425
The moment you surface outside,
you are a marked man.

279
00:13:49,426 --> 00:13:51,843
And I've already lost my two friends.

280
00:13:52,426 --> 00:13:54,502
I can not afford to lose another.

281
00:13:54,886 --> 00:13:56,845
(SUSPENSEFUL MUSIC)

282
00:13:56,846 --> 00:13:59,846
(ELECTRONIC FIZZLING)

283
00:14:01,806 --> 00:14:04,725
Thanks. This photo was texted
from this warehouse.

284
00:14:04,726 --> 00:14:06,055
The man who took her may be armed

285
00:14:06,056 --> 00:14:07,725
and is extremely dangerous.

286
00:14:07,726 --> 00:14:09,476
We'll take it from here, sir.

287
00:14:11,096 --> 00:14:14,026
Mr. Reese, have you located
Easton's wife?

288
00:14:14,386 --> 00:14:16,203
We're about to move in.

289
00:14:16,476 --> 00:14:18,225
If she's in there, we'll get her back.

290
00:14:18,226 --> 00:14:19,265
(DRAMATIC MUSIC)

291
00:14:19,266 --> 00:14:20,926
Let's move!

292
00:14:22,886 --> 00:14:25,886
(PHONE RINGING)

293
00:14:27,056 --> 00:14:28,685
Hello?

294
00:14:28,686 --> 00:14:31,015
So nice to finally meet you,
Detective Riley.

295
00:14:31,016 --> 00:14:33,015
I believe you were the one
who saved little Aaron

296
00:14:33,016 --> 00:14:35,425
from the bomb strapped to his back.

297
00:14:35,426 --> 00:14:38,225
Of course, you won't be
so lucky with Carla.

298
00:14:38,226 --> 00:14:40,015
- (WHIMPERING)
- (STATIC)

299
00:14:40,016 --> 00:14:42,515
I see this time you've brought the NYPD.

300
00:14:42,516 --> 00:14:45,475
That's okay, plenty of
bombs to go around.

301
00:14:45,476 --> 00:14:47,555
(SUSPENSEFUL MUSIC)

302
00:14:47,556 --> 00:14:49,886
Everyone out now. It's a trap.

303
00:14:55,266 --> 00:14:58,265
(SIRENS WAILING)

304
00:14:58,266 --> 00:15:00,266
(DRAMATIC MUSIC)

305
00:15:09,326 --> 00:15:10,655
THE VOICE:
That's okay.

306
00:15:10,656 --> 00:15:11,995
Plenty of bombs to go around.

307
00:15:11,996 --> 00:15:13,785
MAN: 911.

308
00:15:13,786 --> 00:15:15,235
WOMAN: Looks like a bomb
outside my front door!

309
00:15:15,237 --> 00:15:16,656
MAN: And he told me there's a bomb!

310
00:15:16,657 --> 00:15:18,616
WOMAN: 911.

311
00:15:18,617 --> 00:15:20,076
WOMAN: Someone just called in
threatening to blow up...

312
00:15:20,077 --> 00:15:21,496
WOMAN: There's a bomb in the building!

313
00:15:21,497 --> 00:15:23,076
MAN: It looked like a pipe bomb!

314
00:15:23,077 --> 00:15:24,996
- (OVERLAPPING CHATTER)
- (INDISTINCT RADIO CHATTER)

315
00:15:24,997 --> 00:15:27,326
COP: We got two officers down,
one in critical condition.

316
00:15:27,327 --> 00:15:29,116
Now we got at least ten calls of reports

317
00:15:29,117 --> 00:15:30,326
of bomb threats in the area.

318
00:15:30,327 --> 00:15:32,452
Bomb squad's stretched thin.

319
00:15:33,327 --> 00:15:34,830
And her?

320
00:15:35,497 --> 00:15:36,826
Your victim wasn't in the wreckage.

321
00:15:36,827 --> 00:15:38,231
Thanks.

322
00:15:38,617 --> 00:15:41,496
Finch, seems Easton's wife
may still be alive.

323
00:15:41,497 --> 00:15:43,156
If that's true, then The Voice has made

324
00:15:43,157 --> 00:15:46,286
a deliberate decision
to maintain leverage on Easton,

325
00:15:46,287 --> 00:15:47,616
but to what purpose?

326
00:15:47,617 --> 00:15:49,496
I'm heading back to the 8th to find out.

327
00:15:49,497 --> 00:15:50,656
Where are you?

328
00:15:50,657 --> 00:15:52,996
I'm tracking one of The Voice's
known associates.

329
00:15:52,997 --> 00:15:54,826
Well, you be careful.

330
00:15:54,827 --> 00:15:56,616
These are dangerous people.

331
00:15:56,617 --> 00:15:59,077
Clearly. I brought back up.

332
00:16:00,657 --> 00:16:02,406
We're breaking into a school?

333
00:16:02,407 --> 00:16:04,576
Don't worry, Professor,
you'll fit right in.

334
00:16:04,577 --> 00:16:07,576
(DRAMATIC MUSIC)

335
00:16:07,577 --> 00:16:10,236
(MUSIC)

336
00:16:10,237 --> 00:16:11,736
(OVERLAPPING CHATTER)

337
00:16:11,737 --> 00:16:14,326
(ELECTRONIC WHIRRING)

338
00:16:14,327 --> 00:16:16,076
(MUSIC)

339
00:16:16,077 --> 00:16:18,277
ROOT:
I think I found my mark.

340
00:16:18,827 --> 00:16:21,036
Matthew Stone.

341
00:16:21,497 --> 00:16:25,211
What kind of radio engineer
works in the dead of night?

342
00:16:25,577 --> 00:16:27,156
Mm-hmm.

343
00:16:27,157 --> 00:16:29,696
The kind that works
with Samaritan agents.

344
00:16:29,697 --> 00:16:32,996
Which means our rival A.I.
is indeed trying

345
00:16:32,997 --> 00:16:34,996
to expand its bandwidth.

346
00:16:34,997 --> 00:16:38,406
I guess my mission wasn't
to save this number after all.

347
00:16:38,407 --> 00:16:40,196
(GUNSHOTS)

348
00:16:40,197 --> 00:16:41,366
What?

349
00:16:41,367 --> 00:16:43,236
Where'd that shot come from?

350
00:16:43,237 --> 00:16:44,577
Oh.

351
00:16:47,077 --> 00:16:49,469
Well, things just got interesting.

352
00:16:50,157 --> 00:16:52,906
(ELECTRONIC FIZZLING)

353
00:16:52,907 --> 00:16:56,156
(INDISTINCT POLICE RADIO CHATTER)

354
00:16:56,157 --> 00:16:57,496
We ran the ballistics on your gun

355
00:16:57,497 --> 00:16:59,247
in the federal database.

356
00:16:59,657 --> 00:17:00,826
And guess what?

357
00:17:00,827 --> 00:17:03,326
It was a match to four other murders

358
00:17:03,327 --> 00:17:05,085
in four different states.

359
00:17:05,497 --> 00:17:07,536
What? That's not possible.

360
00:17:07,537 --> 00:17:10,616
I-I... that must have been
the gun's previous owner.

361
00:17:10,617 --> 00:17:12,366
I have never used the gun.

362
00:17:12,367 --> 00:17:13,866
That's strange because they all happened

363
00:17:13,867 --> 00:17:15,826
in the last six months
when you owned it.

364
00:17:15,827 --> 00:17:18,826
In fact, one of them was
the same night as the gun show.

365
00:17:18,827 --> 00:17:20,196
And your prints were a partial match

366
00:17:20,197 --> 00:17:22,366
to the ones taken at the crime scene.

367
00:17:24,077 --> 00:17:25,576
But here's the kicker.

368
00:17:25,577 --> 00:17:27,196
I got a witness composite
that said that the shooter

369
00:17:27,197 --> 00:17:29,576
fled in a town car.

370
00:17:29,577 --> 00:17:31,907
There's a hell of a resemblance,
don't you think?

371
00:17:35,577 --> 00:17:38,826
You're not just some harmless driver.

372
00:17:38,827 --> 00:17:40,717
I got you, Amir.

373
00:17:41,037 --> 00:17:44,036
(DRAMATIC MUSIC)

374
00:17:44,037 --> 00:17:52,036
(MUSIC)

375
00:17:52,037 --> 00:17:54,325
You're not as slow as you look.

376
00:17:55,737 --> 00:17:59,696
We're done here... till can get the D.A.

377
00:17:59,697 --> 00:18:01,605
D.A. my ass.

378
00:18:01,997 --> 00:18:04,446
There's gonna be no deal for you, pal.

379
00:18:04,447 --> 00:18:06,536
I'm gonna lock you up
downstairs till I get a warrant

380
00:18:06,537 --> 00:18:08,485
to check your car for fibers,

381
00:18:09,287 --> 00:18:10,826
and after that,

382
00:18:10,827 --> 00:18:13,429
I'm gonna reserve your room at Riker's.

383
00:18:15,947 --> 00:18:18,947
(OVERLAPPING CHATTER)

384
00:18:21,157 --> 00:18:24,156
(DRAMATIC MUSIC)

385
00:18:24,157 --> 00:18:26,996
(MUSIC)

386
00:18:26,997 --> 00:18:29,996
(MENACING MUSIC)

387
00:18:29,997 --> 00:18:33,946
(MUSIC)

388
00:18:33,947 --> 00:18:36,973
FINCH: And here I thought your
teaching days were long gone.

389
00:18:37,287 --> 00:18:39,496
ELIAS: Oh, this hasn't been
a school in two years.

390
00:18:39,497 --> 00:18:41,205
Budget cuts.

391
00:18:41,947 --> 00:18:44,696
But this place is all but deserted.

392
00:18:44,697 --> 00:18:46,885
All but...

393
00:18:47,787 --> 00:18:49,826
All but for the man
who supplies The Voice

394
00:18:49,827 --> 00:18:51,116
with his ammunition,

395
00:18:51,117 --> 00:18:52,829
and the rats, of course.

396
00:18:53,327 --> 00:18:55,326
For a school no longer in session,

397
00:18:55,327 --> 00:18:58,156
it certainly has high security.

398
00:18:58,157 --> 00:19:01,116
The man on the other side
of this door is careful,

399
00:19:01,117 --> 00:19:03,829
cunning, dangerous.

400
00:19:03,997 --> 00:19:06,798
- So who is he?
- The custodian.

401
00:19:07,657 --> 00:19:09,826
CUSTODIAN: School's closed.
No trespassing.

402
00:19:09,827 --> 00:19:11,286
ELIAS: Open up, Raul.

403
00:19:11,287 --> 00:19:13,366
I never properly thanked you
for providing

404
00:19:13,367 --> 00:19:15,917
the car bomb that killed my father.

405
00:19:16,737 --> 00:19:19,737
(LOCK SQUEAKS, UNLATCHES)

406
00:19:26,447 --> 00:19:29,428
- Hello, Raul.
- Elias.

407
00:19:29,947 --> 00:19:31,616
I thought you were dead.

408
00:19:31,617 --> 00:19:33,156
I thought about keeping it that way,

409
00:19:33,157 --> 00:19:35,669
- but where's the fun in that?
- Hmm.

410
00:19:36,407 --> 00:19:38,510
The Voice employs the use of bombs.

411
00:19:38,867 --> 00:19:40,906
To use bombs, you need a bomb maker,

412
00:19:40,907 --> 00:19:42,866
and Raul here is the best of the best.

413
00:19:42,867 --> 00:19:44,406
Isn't he?

414
00:19:44,407 --> 00:19:47,076
I'm sorry, I can not give you
any information.

415
00:19:47,077 --> 00:19:49,656
And whatever you're gonna try
to do to me to get me to talk,

416
00:19:49,657 --> 00:19:51,076
he'll do worse.

417
00:19:51,077 --> 00:19:53,996
(WHINES)

418
00:19:53,997 --> 00:19:55,996
- Oh, come on, Raul.
- (GUN COCKS)

419
00:19:55,997 --> 00:19:58,236
(SUSPENSEFUL MUSIC)

420
00:19:58,237 --> 00:20:00,156
He can't do worse to you
if you're already dead.

421
00:20:00,157 --> 00:20:02,076
Elias...

422
00:20:02,077 --> 00:20:04,286
We are surrounded by explosives.

423
00:20:04,287 --> 00:20:05,906
Good thing these hollow point bullets

424
00:20:05,907 --> 00:20:08,656
won't hit anything
except your internal organs.

425
00:20:08,657 --> 00:20:10,366
Messy, but just for you.

426
00:20:10,367 --> 00:20:13,196
(MUSIC)

427
00:20:13,197 --> 00:20:15,496
How many explosives
did you build for The Voice

428
00:20:15,497 --> 00:20:17,438
and where are they located?

429
00:20:19,407 --> 00:20:21,616
(DRAMATIC MUSIC)

430
00:20:21,617 --> 00:20:24,616
(OVERLAPPING FRANTIC CHATTER)

431
00:20:24,617 --> 00:20:26,286
All hands on deck
to help the bomb squad.

432
00:20:26,287 --> 00:20:27,446
Captain's orders.

433
00:20:27,447 --> 00:20:28,826
Then why are you still here?

434
00:20:28,827 --> 00:20:30,866
Just busted open
a multiple homicide case.

435
00:20:30,867 --> 00:20:33,496
Suspect's in lock up downstairs.

436
00:20:33,497 --> 00:20:35,496
This guy look like
a serial killer to you?

437
00:20:35,497 --> 00:20:38,165
Number of bodies
coming back on him chilling.

438
00:20:39,497 --> 00:20:47,497
(MUSIC)

439
00:20:49,447 --> 00:20:51,446
Hey, I had a witness in here.
Terry Easton.

440
00:20:51,447 --> 00:20:53,461
- Have you seen him?
- Uh-uh.

441
00:20:54,447 --> 00:20:57,446
(DRAMATIC MUSIC)

442
00:20:57,447 --> 00:20:59,786
(MUSIC)

443
00:20:59,787 --> 00:21:03,076
Come here. Where exactly
do you think you're going?

444
00:21:03,077 --> 00:21:04,906
An officer told me that I had to leave

445
00:21:04,907 --> 00:21:06,671
the interrogation room.

446
00:21:07,407 --> 00:21:09,326
Did you find my wife?

447
00:21:09,327 --> 00:21:11,326
He's still got her.

448
00:21:11,327 --> 00:21:13,826
That means he's still got you
under his thumb.

449
00:21:13,827 --> 00:21:16,497
What's he making you do?

450
00:21:21,077 --> 00:21:24,656
They were slipped under the door.

451
00:21:24,657 --> 00:21:26,406
- By whom?
- I don't know.

452
00:21:26,407 --> 00:21:29,236
But I got a text with instructions.

453
00:21:29,237 --> 00:21:30,996
To do what?

454
00:21:30,997 --> 00:21:34,576
To open the holding cell
where the gang members are

455
00:21:34,577 --> 00:21:37,525
or my wife wasn't gonna
escape the next bomb.

456
00:21:37,947 --> 00:21:40,156
Templarios. Sit down.

457
00:21:40,157 --> 00:21:42,446
Finch, Easton was supposed to
get arrested.

458
00:21:42,447 --> 00:21:44,656
All to get access to the holding cell

459
00:21:44,657 --> 00:21:46,906
- in this precinct.
- But why?

460
00:21:46,907 --> 00:21:48,156
The Voice is using Easton
to try to break out

461
00:21:48,157 --> 00:21:49,736
the Templarios.

462
00:21:49,737 --> 00:21:53,076
Who better to orchestrate
a jailbreak than a locksmith?

463
00:21:53,077 --> 00:21:54,656
But how does The Voice communicate

464
00:21:54,657 --> 00:21:56,576
with Mr. Easton inside the precinct?

465
00:21:56,577 --> 00:21:58,736
Someone slipped him a phone.

466
00:21:58,737 --> 00:22:00,496
Then our number isn't the only one

467
00:22:00,497 --> 00:22:01,696
doing The Voice's biddings.

468
00:22:01,697 --> 00:22:03,326
Someone else is working for him.

469
00:22:03,327 --> 00:22:05,576
Which means the Templarios

470
00:22:05,577 --> 00:22:07,496
might have an early release after all.

471
00:22:07,497 --> 00:22:10,736
Come here. We better go check holding.

472
00:22:10,737 --> 00:22:13,576
(DRAMATIC MUSIC)

473
00:22:13,577 --> 00:22:15,119
We're too late.

474
00:22:15,657 --> 00:22:17,696
(SUSPENSEFUL MUSIC)

475
00:22:17,697 --> 00:22:19,400
The cells are empty,

476
00:22:20,407 --> 00:22:21,826
and now the Templarios are loose.

477
00:22:21,827 --> 00:22:25,161
Wait, look, those guys
are locking themselves in.

478
00:22:25,657 --> 00:22:28,496
Finch, I don't think
this is a jailbreak.

479
00:22:28,497 --> 00:22:30,156
Mr. Reese, the bombs,

480
00:22:30,157 --> 00:22:32,406
they're specifically located
within the jurisdiction

481
00:22:32,407 --> 00:22:34,656
of the 8th precinct
to draw out all the cops.

482
00:22:34,657 --> 00:22:36,236
REESE: How'd you get
that information?

483
00:22:36,237 --> 00:22:39,832
Elias can be quite persuasive.

484
00:22:40,237 --> 00:22:42,536
The Voice meant
to empty out the precinct

485
00:22:42,537 --> 00:22:44,536
so the Templarios
can get to something...

486
00:22:45,697 --> 00:22:47,236
or someone inside.

487
00:22:47,237 --> 00:22:50,366
(DRAMATIC MUSIC)

488
00:22:50,367 --> 00:22:52,656
(GENERATOR WHINES)

489
00:22:52,657 --> 00:22:55,366
Stay close, whatever
the Templarios have planned,

490
00:22:55,367 --> 00:22:57,247
it's begun.

491
00:22:58,037 --> 00:23:01,036
(ELECTRONIC FIZZLING)

492
00:23:01,037 --> 00:23:02,996
ROOT:
Found our Samaritan op.

493
00:23:02,997 --> 00:23:05,116
Looks like he wants to play
hide and seek in the park.

494
00:23:05,117 --> 00:23:08,116
(DRAMATIC MUSIC)

495
00:23:08,117 --> 00:23:16,117
(MUSIC)

496
00:23:17,737 --> 00:23:20,185
ROOT: Come out,
come out wherever you are.

497
00:23:20,867 --> 00:23:22,156
- (GUNSHOT)
- (GRUNTS)

498
00:23:22,157 --> 00:23:23,366
ROOT: What?

499
00:23:23,367 --> 00:23:26,357
(GRUNTING)

500
00:23:26,947 --> 00:23:29,737
- Root?
- Shaw.

501
00:23:37,843 --> 00:23:40,392
(ELECTRONIC FIZZLING)

502
00:23:40,393 --> 00:23:41,802
(PANTING)

503
00:23:42,283 --> 00:23:44,283
(CHUCKLES)

504
00:23:46,383 --> 00:23:50,214
Sameen... (LAUGHS)

505
00:23:51,022 --> 00:23:52,851
You're really here.

506
00:23:52,852 --> 00:23:54,811
(MUSIC)

507
00:23:54,812 --> 00:23:57,185
(BOTH LIGHT SOBBING)

508
00:23:57,319 --> 00:23:58,770
She brought you back to me.

509
00:24:02,943 --> 00:24:04,857
Wha... what are you doing here?

510
00:24:04,858 --> 00:24:06,517
What does it look like?

511
00:24:06,518 --> 00:24:08,991
I'm taking on Samaritan
one agent at a time.

512
00:24:09,518 --> 00:24:12,267
(LAUGHS SOFTLY)

513
00:24:12,268 --> 00:24:14,557
(DRAMATIC MUSIC)

514
00:24:14,558 --> 00:24:17,357
- I gotta go.
- Wait.

515
00:24:17,358 --> 00:24:19,557
Go where? Wait.

516
00:24:19,558 --> 00:24:23,107
- When did you escape?
- It's complicated, Root.

517
00:24:23,108 --> 00:24:25,307
Then explain it to me.

518
00:24:26,398 --> 00:24:28,325
Please.

519
00:24:29,608 --> 00:24:31,701
I escaped a week ago.

520
00:24:33,518 --> 00:24:36,008
I couldn't come and find you
because it wasn't safe.

521
00:24:37,018 --> 00:24:38,418
Why?

522
00:24:39,558 --> 00:24:42,107
When they had me,
they put me through these tests,

523
00:24:42,108 --> 00:24:45,437
these... simulations.

524
00:24:45,438 --> 00:24:47,274
Simulation?

525
00:24:47,688 --> 00:24:49,748
Over 7,000 of them,

526
00:24:50,188 --> 00:24:52,525
and always with the same goal.

527
00:24:53,398 --> 00:24:55,277
To turn me against all of you.

528
00:24:55,518 --> 00:24:58,437
(MUSIC)

529
00:24:58,438 --> 00:25:00,020
To kill you.

530
00:25:02,188 --> 00:25:05,244
- Well, obviously they failed.
- No.

531
00:25:06,558 --> 00:25:08,167
They didn't,

532
00:25:08,858 --> 00:25:15,357
because in all the simulations,
that's exactly what I did.

533
00:25:15,358 --> 00:25:19,477
(MUSIC)

534
00:25:19,478 --> 00:25:22,478
(ELECTRONIC FIZZLING)

535
00:25:24,398 --> 00:25:25,909
REESE: Stay close.

536
00:25:26,148 --> 00:25:27,897
If the Templarios are crazy enough

537
00:25:27,898 --> 00:25:29,612
to take over a police precinct,

538
00:25:29,898 --> 00:25:31,227
they won't hesitate to kill anyone

539
00:25:31,228 --> 00:25:32,433
who gets in their way.

540
00:25:32,728 --> 00:25:34,317
Considering the situation,
perhaps you should

541
00:25:34,318 --> 00:25:35,383
call for back up.

542
00:25:35,818 --> 00:25:38,017
It had to be a cop
who let the Templarios out

543
00:25:38,018 --> 00:25:39,897
in the first place.

544
00:25:39,898 --> 00:25:43,478
I'm not involving any more
until we know who we can trust.

545
00:25:43,858 --> 00:25:46,187
FINCH: Given the number of convicts
you're up against,

546
00:25:46,188 --> 00:25:48,397
I urge you to reconsider.

547
00:25:48,398 --> 00:25:50,557
REESE: The NYPD's overwhelmed
with bomb threats.

548
00:25:50,558 --> 00:25:52,817
Templarios have booby trapped
the precinct doors.

549
00:25:52,818 --> 00:25:55,517
I won't risk losing any more cops today.

550
00:25:55,518 --> 00:25:57,267
Then what is your plan?

551
00:25:57,268 --> 00:25:58,727
Keep Easton safe and find out

552
00:25:58,728 --> 00:26:00,397
what the hell the Templarios want.

553
00:26:00,398 --> 00:26:02,557
I may be able to help you with that.

554
00:26:02,558 --> 00:26:05,017
I traced the warehouse bomb's
detonation signal

555
00:26:05,018 --> 00:26:07,017
to an apartment building in Soho.

556
00:26:07,018 --> 00:26:08,521
We're headed there now.

557
00:26:08,898 --> 00:26:12,317
Could belong to The Voice.
Be careful, Finch.

558
00:26:12,318 --> 00:26:14,057
You do the same, John.

559
00:26:14,058 --> 00:26:17,057
(DRAMATIC MUSIC)

560
00:26:17,058 --> 00:26:18,227
(MUSIC)

561
00:26:18,228 --> 00:26:19,357
Whoa!

562
00:26:21,818 --> 00:26:24,227
I thought I was the only cop
left in the building.

563
00:26:24,228 --> 00:26:26,227
You and I need to stick together.

564
00:26:26,228 --> 00:26:27,727
What the hell's going on around here?

565
00:26:27,728 --> 00:26:29,261
Let's find out.

566
00:26:29,648 --> 00:26:32,648
(MAN SPEAKING SPANISH)

567
00:26:34,018 --> 00:26:37,018
(SPEAKING SPANISH)

568
00:26:38,898 --> 00:26:40,977
Look like the Templarios
hit the jackpot.

569
00:26:40,978 --> 00:26:43,147
They'll all be armed.

570
00:26:43,148 --> 00:26:45,897
Yeah, they'll be wearing
SWAT vests like this jackass.

571
00:26:45,898 --> 00:26:48,647
(BOTH SPEAKING SPANISH)

572
00:26:48,648 --> 00:26:50,525
Let's see how that works.

573
00:26:51,478 --> 00:26:54,477
(SHOUTING IN SPANISH)

574
00:26:54,478 --> 00:26:57,478
(GUNSHOTS)

575
00:27:01,438 --> 00:27:02,897
(GROANING)

576
00:27:02,898 --> 00:27:04,693
Hurts even with the vest, don't it?

577
00:27:05,148 --> 00:27:07,249
What are your boys after
in the precinct?

578
00:27:07,898 --> 00:27:09,147
I'm not telling you nothing.

579
00:27:09,148 --> 00:27:11,029
That right, tough guy?

580
00:27:11,608 --> 00:27:12,977
You like coming after cops?

581
00:27:12,978 --> 00:27:15,477
Here's a little something for the ones
you blew up earlier.

582
00:27:15,478 --> 00:27:16,937
Lionel.

583
00:27:16,938 --> 00:27:18,765
I don't know nothing
about blowing up no cops.

584
00:27:19,228 --> 00:27:21,107
Just got told to take out
some dude named Amir.

585
00:27:21,108 --> 00:27:23,553
Amir? Amir Siddiq?

586
00:27:25,058 --> 00:27:26,477
That's the multiple homicide suspect

587
00:27:26,478 --> 00:27:27,977
I got locked up in solitary.

588
00:27:27,978 --> 00:27:29,977
- Who wants him dead?
- Don't know.

589
00:27:29,978 --> 00:27:31,557
I just got paid to do the job.

590
00:27:31,558 --> 00:27:33,727
No questions. No witnesses.

591
00:27:33,728 --> 00:27:36,897
Maybe Amir can implicate
someone else in his murders.

592
00:27:36,898 --> 00:27:38,147
What, like a partner?

593
00:27:38,148 --> 00:27:40,557
Somebody hired The Voice
to take him out.

594
00:27:40,558 --> 00:27:43,317
- The Voice?
- I'll explain on the way,

595
00:27:43,318 --> 00:27:45,267
but we need to get to Amir
before the Templarios do.

596
00:27:45,268 --> 00:27:46,727
I got him down in the basement.

597
00:27:46,728 --> 00:27:49,221
- Oh yeah, I almost forgot.
- (GROANS)

598
00:27:50,558 --> 00:27:52,397
- You feel better?
- Mucho.

599
00:27:52,398 --> 00:27:55,057
(MUSIC)

600
00:27:55,058 --> 00:27:56,397
You stay here.

601
00:27:56,398 --> 00:27:57,767
Keep your head down, door locked.

602
00:27:57,768 --> 00:27:59,227
I'll be back once we find Amir.

603
00:27:59,228 --> 00:28:00,396
You gotta be kidding me.

604
00:28:00,728 --> 00:28:02,345
What about my wife?

605
00:28:02,898 --> 00:28:04,647
Don't worry, we'll find her

606
00:28:04,648 --> 00:28:06,621
along with the guy who took her.

607
00:28:06,938 --> 00:28:08,667
Here you go, slugger. Good luck.

608
00:28:10,728 --> 00:28:14,227
(ELECTRONIC WHIRRING)

609
00:28:14,228 --> 00:28:15,767
(SUSPENSEFUL MUSIC)

610
00:28:15,768 --> 00:28:17,938
ELIAS: Freeze, Harold.

611
00:28:20,358 --> 00:28:22,767
Tripwire. Place like this
is likely full of them.

612
00:28:22,768 --> 00:28:24,767
Good to know.

613
00:28:24,768 --> 00:28:27,767
(DRAMATIC MUSIC)

614
00:28:27,768 --> 00:28:32,397
(MUSIC)

615
00:28:32,398 --> 00:28:34,937
Such precautions would suggest
that we have found

616
00:28:34,938 --> 00:28:37,275
The Voice's base of operation.

617
00:28:38,898 --> 00:28:41,397
ELIAS: Then there may still
lie dangers ahead.

618
00:28:41,398 --> 00:28:43,482
Which reminds me, thank you...

619
00:28:43,898 --> 00:28:45,557
for your assistance today.

620
00:28:45,558 --> 00:28:47,107
Not at all, Harold.

621
00:28:47,108 --> 00:28:49,235
I'm the one who owes you and John...

622
00:28:49,768 --> 00:28:51,900
a debt I fully intend to repay.

623
00:28:52,358 --> 00:28:55,687
(SIGHS) I should have known.

624
00:28:55,688 --> 00:28:57,647
The bomb's detonation signal
came from here,

625
00:28:57,648 --> 00:28:58,937
but it was a relay.

626
00:28:58,938 --> 00:29:01,131
It originated at another location.

627
00:29:01,358 --> 00:29:03,687
- You know where?
- Take time to find out.

628
00:29:03,688 --> 00:29:06,669
Something I fear Mr. Reese
is in short supply of.

629
00:29:07,688 --> 00:29:09,899
Well, what do we have here?

630
00:29:10,728 --> 00:29:12,133
Oh, Harold?

631
00:29:13,858 --> 00:29:16,227
(ELECTRONIC WHIRRING)

632
00:29:16,228 --> 00:29:20,057
(SAW GRINDING)

633
00:29:20,058 --> 00:29:22,227
MAN: Open up, Amir.

634
00:29:22,228 --> 00:29:24,057
(MUSIC)

635
00:29:24,058 --> 00:29:26,058
That's Amir's cell.

636
00:29:28,018 --> 00:29:30,557
Come on, it's okay. It's just Chen.

637
00:29:30,558 --> 00:29:33,727
(MUSIC)

638
00:29:33,728 --> 00:29:36,727
(METAL CLANKING)

639
00:29:36,728 --> 00:29:37,897
- (HIGH-PITCHED RINGING)
- (MAN SCREAMS)

640
00:29:37,898 --> 00:29:39,108
Wait.

641
00:29:42,018 --> 00:29:43,857
(SUSPENSEFUL MUSIC)

642
00:29:43,858 --> 00:29:45,558
REESE: This the guy?

643
00:29:47,268 --> 00:29:50,397
Someone's gone through a lot of
trouble to kill you. Why?

644
00:29:50,398 --> 00:29:52,227
Does it have to do with
those people you murdered?

645
00:29:52,228 --> 00:29:54,727
Not murders, Detective, hits...

646
00:29:54,728 --> 00:29:56,267
for my former employer.

647
00:29:56,268 --> 00:29:58,937
- Your employer?
- The Voice?

648
00:29:58,938 --> 00:30:02,357
(MUSIC)

649
00:30:02,358 --> 00:30:04,857
My targets were all people
who previously worked for him.

650
00:30:04,858 --> 00:30:06,607
He likes to tie up loose ends.

651
00:30:06,608 --> 00:30:08,727
Which I realized I was gonna be too.

652
00:30:08,728 --> 00:30:12,357
So I did some digging.
How he hires everyone.

653
00:30:12,358 --> 00:30:15,187
Three different shell companies,
same P.O. Box,

654
00:30:15,188 --> 00:30:17,057
but I followed the courier...

655
00:30:17,058 --> 00:30:19,187
who took me to my true employer.

656
00:30:19,188 --> 00:30:21,465
You know his identity?

657
00:30:22,188 --> 00:30:24,170
Figured I might need it someday...

658
00:30:24,688 --> 00:30:26,290
and here we are.

659
00:30:26,768 --> 00:30:28,937
And he knew you'd flip on him
as soon as you got arrested.

660
00:30:28,938 --> 00:30:31,767
So then, he uses the Templarios

661
00:30:31,768 --> 00:30:33,515
to get to you in the precinct.

662
00:30:33,898 --> 00:30:35,727
You get me out of here
with a deal in writing,

663
00:30:35,728 --> 00:30:37,517
and I'll tell you who he is.

664
00:30:37,518 --> 00:30:40,517
(SUSPENSEFUL MUSIC)

665
00:30:40,518 --> 00:30:41,687
(MUSIC)

666
00:30:41,688 --> 00:30:43,227
Take him up to the bullpen.

667
00:30:43,228 --> 00:30:44,897
Bomb squad should have
things in hand by now,

668
00:30:44,898 --> 00:30:46,267
so go ahead and call for back up.

669
00:30:46,268 --> 00:30:48,357
I'll go get Easton, meet you up there.

670
00:30:48,358 --> 00:30:49,619
Let's move.

671
00:30:50,898 --> 00:30:54,187
(MUSIC)

672
00:30:54,188 --> 00:30:55,499
Stop.

673
00:30:57,518 --> 00:30:59,267
All clear, move.

674
00:31:00,058 --> 00:31:08,107
(MUSIC)

675
00:31:08,108 --> 00:31:09,507
Sit down.

676
00:31:10,108 --> 00:31:18,108
(MUSIC)

677
00:31:20,978 --> 00:31:22,687
This guy's a stone killer.

678
00:31:22,688 --> 00:31:23,977
No one opens this door, got it?

679
00:31:23,978 --> 00:31:25,024
Mm-hmm.

680
00:31:25,818 --> 00:31:30,857
(MUSIC)

681
00:31:30,858 --> 00:31:32,607
This is Detective Lionel Fusco calling

682
00:31:32,608 --> 00:31:35,357
from inside the 8th precinct.
We need immediate back up.

683
00:31:35,358 --> 00:31:37,927
We've got multiple combatants
in the building.

684
00:31:38,268 --> 00:31:39,357
(CLICKS)

685
00:31:39,358 --> 00:31:41,817
- (GUNSHOT)
- (CHEN SCREAMS)

686
00:31:41,818 --> 00:31:43,267
What the hell are you doing?

687
00:31:43,268 --> 00:31:44,767
The Voice had someone other than Easton

688
00:31:44,768 --> 00:31:46,477
release the Templarios.

689
00:31:46,478 --> 00:31:49,817
Someone on the inside.
Isn't that right, Chen?

690
00:31:49,818 --> 00:31:53,687
(PANTING)
I didn't have a choice.

691
00:31:53,688 --> 00:31:55,551
He threatened my family.

692
00:31:56,148 --> 00:31:58,517
- (MAN YELLS IN SPANISH)
- The Templarios. They're coming.

693
00:31:58,518 --> 00:32:00,318
Get down.

694
00:32:02,898 --> 00:32:05,147
- How many guys they got?
- More than we've got bullets.

695
00:32:05,148 --> 00:32:06,357
Take cover.

696
00:32:06,358 --> 00:32:08,317
(DRAMATIC MUSIC)

697
00:32:08,318 --> 00:32:11,318
(GUNSHOTS)

698
00:32:12,858 --> 00:32:15,227
Should have put in for a transfer.

699
00:32:15,228 --> 00:32:16,897
Sorry, partner.

700
00:32:16,898 --> 00:32:18,728
This is a hell of a way to go out.

701
00:32:19,728 --> 00:32:20,977
(SHOUTING IN SPANISH)

702
00:32:20,978 --> 00:32:22,187
(GUNSHOT)

703
00:32:22,188 --> 00:32:25,727
On me. One, two...

704
00:32:25,728 --> 00:32:27,727
three.

705
00:32:27,728 --> 00:32:30,727
(DRAMATIC MUSIC)

706
00:32:30,728 --> 00:32:38,728
(MUSIC)

707
00:32:47,404 --> 00:32:49,270
(ELECTRONIC FIZZLING)

708
00:32:49,391 --> 00:32:52,640
Sameen, please, you have to believe me.

709
00:32:52,641 --> 00:32:55,470
This isn't a simulation. This is real.

710
00:32:55,471 --> 00:32:58,800
You're safe now.
Let's get back to the subway.

711
00:32:58,801 --> 00:33:00,049
No.

712
00:33:00,471 --> 00:33:02,560
(DRAMATIC MUSIC)

713
00:33:02,561 --> 00:33:04,145
We can't.

714
00:33:06,681 --> 00:33:08,390
- Shaw...
- The simplest way

715
00:33:08,391 --> 00:33:11,470
to break someone is to
rob them of their reality,

716
00:33:11,471 --> 00:33:13,010
and they did that well.

717
00:33:13,011 --> 00:33:18,121
And maybe you're right,
maybe I am safe...

718
00:33:20,141 --> 00:33:22,471
but as long as I'm alive...

719
00:33:24,471 --> 00:33:26,728
You'll never be safe.

720
00:33:27,061 --> 00:33:28,720
What do you mean?

721
00:33:28,721 --> 00:33:31,640
I could turn on you at any moment,

722
00:33:31,641 --> 00:33:34,220
and even if I don't, I could
lead them to the Machine.

723
00:33:34,221 --> 00:33:35,970
That'll never happen.

724
00:33:35,971 --> 00:33:38,471
I don't know if
I'm calling the shots anymore...

725
00:33:39,721 --> 00:33:41,832
And neither do you.

726
00:33:42,391 --> 00:33:45,157
7,000 simulations.

727
00:33:45,721 --> 00:33:48,390
I killed a lot of people,

728
00:33:48,391 --> 00:33:51,011
but the one person
that I couldn't kill...

729
00:33:52,851 --> 00:33:54,346
Was you.

730
00:33:56,851 --> 00:33:58,935
So I killed myself.

731
00:33:59,511 --> 00:34:02,891
Over and over again.

732
00:34:05,261 --> 00:34:08,260
(DRAMATIC MUSIC)

733
00:34:08,261 --> 00:34:10,760
And I'd rather do that here and now

734
00:34:10,761 --> 00:34:12,850
than to risk your life.

735
00:34:12,851 --> 00:34:14,919
Okay, Shaw.

736
00:34:16,301 --> 00:34:18,430
What the hell are you doing?

737
00:34:18,431 --> 00:34:20,350
We'll play it your way here.

738
00:34:20,351 --> 00:34:22,891
You can't live with me...

739
00:34:25,141 --> 00:34:27,891
I can't live without you.

740
00:34:29,011 --> 00:34:31,850
So if you die, I die too.

741
00:34:31,851 --> 00:34:33,761
Put that down.

742
00:34:35,181 --> 00:34:36,850
I really don't know what's gonna happen

743
00:34:36,851 --> 00:34:39,025
when we pull the trigger.

744
00:34:40,471 --> 00:34:43,601
Never been much
of a believer, but hey...

745
00:34:46,221 --> 00:34:48,000
You never know.

746
00:34:48,054 --> 00:34:52,850
(MUSIC)

747
00:34:52,851 --> 00:34:55,220
Guess we're about
to find out, aren't we?

748
00:34:55,221 --> 00:34:56,968
Damn it, Root.

749
00:34:57,351 --> 00:35:00,350
(ELECTRONIC WHIRRING)

750
00:35:00,351 --> 00:35:01,801
(GUNSHOTS)

751
00:35:04,471 --> 00:35:07,470
(DRAMATIC MUSIC)

752
00:35:07,471 --> 00:35:08,970
(MUSIC)

753
00:35:08,971 --> 00:35:10,970
Easton, stay down.

754
00:35:10,971 --> 00:35:16,970
(MUSIC)

755
00:35:16,971 --> 00:35:18,430
I'm out.

756
00:35:18,431 --> 00:35:22,300
(MUSIC)

757
00:35:22,301 --> 00:35:23,649
Thanks.

758
00:35:24,261 --> 00:35:25,850
(MUSIC)

759
00:35:25,851 --> 00:35:27,850
ELIAS: All this time,
you were looking for The Voice,

760
00:35:27,851 --> 00:35:29,930
and he was trying to track you, Harold.

761
00:35:29,931 --> 00:35:31,470
Thought we had him in our sights once.

762
00:35:31,471 --> 00:35:33,470
I threatened to electrocute him

763
00:35:33,471 --> 00:35:36,260
till I realized it was just a hired gun.

764
00:35:36,261 --> 00:35:38,432
More smoke and mirrors.

765
00:35:39,011 --> 00:35:40,640
And what will you do if you find

766
00:35:40,641 --> 00:35:42,300
the real man behind the curtain?

767
00:35:42,301 --> 00:35:45,233
- Oh, that's odd.
- What?

768
00:35:45,258 --> 00:35:48,350
A large transaction
initiated from this node.

769
00:35:48,351 --> 00:35:52,140
Payment deposited
into the account of an actress

770
00:35:52,141 --> 00:35:54,680
who looks an awful lot like Mrs. Easton.

771
00:35:54,681 --> 00:35:56,600
Her abduction is a total fabrication.

772
00:35:56,601 --> 00:35:59,291
- A ruse.
- But why?

773
00:36:00,011 --> 00:36:04,100
Easton gets arrested only to lie
about his wife's abduction?

774
00:36:04,101 --> 00:36:06,140
Sending the police all over the city.

775
00:36:06,379 --> 00:36:08,971
So that he can go after someone inside.

776
00:36:08,971 --> 00:36:11,100
- The precinct.
- Oh, no.

777
00:36:11,101 --> 00:36:13,760
Harold, perhaps
a more pertinent question is...

778
00:36:13,761 --> 00:36:15,510
FINCH:
Who the hell is Terry Easton?

779
00:36:15,511 --> 00:36:18,390
(JINGLING)

780
00:36:18,391 --> 00:36:20,060
(GUNSHOTS)

781
00:36:20,061 --> 00:36:23,060
(DRAMATIC MUSIC)

782
00:36:23,061 --> 00:36:24,430
(MUSIC)

783
00:36:24,431 --> 00:36:27,180
(GUNFIRE)

784
00:36:27,181 --> 00:36:28,640
You.

785
00:36:28,641 --> 00:36:31,490
Did you really think you could betray me

786
00:36:32,391 --> 00:36:34,619
and live to tell about it?

787
00:36:35,011 --> 00:36:37,930
(GUNFIRE)

788
00:36:37,931 --> 00:36:39,523
How?

789
00:36:40,101 --> 00:36:43,891
Cleanliness is all.

790
00:36:44,301 --> 00:36:49,600
(MUSIC)

791
00:36:49,601 --> 00:36:52,640
- I'm out.
- That makes two of us.

792
00:36:52,641 --> 00:36:54,760
Got to get to one of their weapons.

793
00:36:54,761 --> 00:36:56,600
Mr. Reese, I finally
tracked down the source

794
00:36:56,601 --> 00:36:58,060
of the detonation signal.

795
00:36:58,061 --> 00:37:00,430
It's coming from inside the precinct.

796
00:37:00,431 --> 00:37:03,140
Easton's wife isn't real
and he's not a victim.

797
00:37:03,141 --> 00:37:05,430
He's the perpetrator. It's him.

798
00:37:05,431 --> 00:37:07,491
- (GUN COCKS)
- Sorry, Detective.

799
00:37:07,931 --> 00:37:09,470
(MUSIC)

800
00:37:09,471 --> 00:37:11,720
It was a pleasure
doing business with you.

801
00:37:11,721 --> 00:37:13,220
- No!
- (GUNSHOT)

802
00:37:13,221 --> 00:37:14,476
Lionel!

803
00:37:15,801 --> 00:37:17,560
Look out, there's another Templario.

804
00:37:17,561 --> 00:37:20,560
(DRAMATIC MUSIC)

805
00:37:20,561 --> 00:37:24,470
(MUSIC)

806
00:37:24,471 --> 00:37:26,138
You okay?

807
00:37:26,891 --> 00:37:29,300
Yeah, Just grazed me,
that son of a bitch.

808
00:37:29,301 --> 00:37:31,234
I still got a guy in the room.

809
00:37:37,221 --> 00:37:40,756
Finch, Fusco's been shot.

810
00:37:41,391 --> 00:37:44,800
And Easton, or whoever the hell he is,

811
00:37:44,801 --> 00:37:46,306
he got away.

812
00:37:48,261 --> 00:37:51,260
(SENTIMENTAL MUSIC)

813
00:37:51,261 --> 00:37:55,390
(MUSIC)

814
00:37:55,391 --> 00:37:58,390
(SIRENS WAILING)

815
00:37:58,391 --> 00:38:06,470
(MUSIC)

816
00:38:06,471 --> 00:38:10,680
(ELECTRONIC OVERLAPPING VOICES)

817
00:38:10,681 --> 00:38:12,800
(ELECTRONIC FIZZLING)

818
00:38:12,801 --> 00:38:16,857
(PHONE RINGING)

819
00:38:18,351 --> 00:38:21,470
FINCH: Hi, you're probably wondering
how I traced your call.

820
00:38:21,471 --> 00:38:23,220
I followed the detonation signal

821
00:38:23,221 --> 00:38:24,800
to your base of operations.

822
00:38:24,801 --> 00:38:26,560
Your encryption is impressive,

823
00:38:26,561 --> 00:38:27,970
along with that app on your phone

824
00:38:27,971 --> 00:38:29,970
that modulates your voice,

825
00:38:30,307 --> 00:38:32,391
but what's really ingenious

826
00:38:32,391 --> 00:38:34,350
is the call you made to yourself

827
00:38:34,351 --> 00:38:35,707
in the precinct.

828
00:38:36,011 --> 00:38:38,010
A recording that allowed you

829
00:38:38,011 --> 00:38:41,467
to assume the role of a victim.

830
00:38:44,801 --> 00:38:46,819
Even your getaway car,

831
00:38:47,471 --> 00:38:50,680
registered under another alias

832
00:38:50,681 --> 00:38:53,800
in a spot perfectly removed
from street cameras.

833
00:38:53,801 --> 00:38:56,220
A precaution at every turn.

834
00:38:56,221 --> 00:38:59,094
Evidently not cautious enough.

835
00:39:00,011 --> 00:39:01,970
(GUN COCKS)

836
00:39:01,971 --> 00:39:04,220
No, you've wreaked enough havoc.

837
00:39:04,221 --> 00:39:08,301
Blackmail, extortion, abduction, murder.

838
00:39:09,511 --> 00:39:12,511
You can't be permitted to continue.

839
00:39:13,971 --> 00:39:15,720
Turn yourself in.

840
00:39:15,721 --> 00:39:17,720
I've already done that once today.

841
00:39:17,721 --> 00:39:20,641
- (GUN CLICKS)
- I wouldn't cross Harold.

842
00:39:23,641 --> 00:39:25,789
Elias...

843
00:39:26,851 --> 00:39:28,720
I'm not surprised you're alive,

844
00:39:28,721 --> 00:39:31,640
but I must say I never thought
you'd run with someone like him.

845
00:39:31,641 --> 00:39:33,640
Harold's a friend,

846
00:39:33,641 --> 00:39:35,581
one of the few I have left.

847
00:39:38,181 --> 00:39:39,890
THE VOICE/EASTON:
A truce then.

848
00:39:39,891 --> 00:39:42,890
(DRAMATIC MUSIC)

849
00:39:42,891 --> 00:39:49,060
(MUSIC)

850
00:39:49,061 --> 00:39:51,010
Careful...

851
00:39:51,011 --> 00:39:53,237
compassion and loyalty

852
00:39:53,801 --> 00:39:56,069
make people weak,

853
00:39:57,261 --> 00:39:59,221
easy to exploit.

854
00:39:59,721 --> 00:40:01,930
Well, that's some stinking thinking

855
00:40:01,931 --> 00:40:04,010
and why you're gonna lose.

856
00:40:04,011 --> 00:40:05,981
Not today.

857
00:40:08,471 --> 00:40:11,470
(MUSIC)

858
00:40:11,471 --> 00:40:14,140
Be seeing you.

859
00:40:14,141 --> 00:40:18,220
(MUSIC)

860
00:40:18,221 --> 00:40:21,221
(TYRES SQUEALS)

861
00:40:24,801 --> 00:40:26,560
I think that's far enough, don't you?

862
00:40:26,561 --> 00:40:28,470
(MUSIC)

863
00:40:28,471 --> 00:40:30,510
(EXPLOSION)

864
00:40:30,511 --> 00:40:33,141
(TYRES SCREECHES)

865
00:40:40,011 --> 00:40:43,640
Come on, Harold,
you brought me for a reason.

866
00:40:43,641 --> 00:40:46,600
You must have know
I'd do something like this.

867
00:40:46,601 --> 00:40:49,601
(FLAMES CRACKLING)

868
00:40:55,681 --> 00:40:58,681
(ELECTRONIC FIZZLING)

869
00:41:01,931 --> 00:41:04,930
("FAKE EMPIRE" BY THE NATIONAL)

870
00:41:04,931 --> 00:41:09,140
(MUSIC)

871
00:41:09,141 --> 00:41:10,140
How's your arm?

872
00:41:10,141 --> 00:41:11,877
(SIGHS)

873
00:41:12,471 --> 00:41:15,181
Gonna take more than a bullet
to keep me down.

874
00:41:16,301 --> 00:41:18,970
It's time we had a talk, Lionel.

875
00:41:18,971 --> 00:41:22,180
? Picking apples, making pies ?

876
00:41:22,181 --> 00:41:23,850
So what are we doing here?

877
00:41:23,851 --> 00:41:25,970
You're not gonna propose to me, are you?

878
00:41:25,971 --> 00:41:27,701
Give me your phone.

879
00:41:28,431 --> 00:41:29,837
Why?

880
00:41:30,431 --> 00:41:32,462
What the hell'd you do that for?

881
00:41:33,601 --> 00:41:35,600
You never know who might be listening.

882
00:41:35,601 --> 00:41:37,930
It wasn't even turned on.

883
00:41:37,931 --> 00:41:39,470
(MUSIC)

884
00:41:39,471 --> 00:41:41,485
What's going on?

885
00:41:43,011 --> 00:41:45,422
Those questions you've been asking?

886
00:41:46,141 --> 00:41:48,317
You deserve answers.

887
00:41:49,511 --> 00:41:52,180
FINCH: Mr. Reese, are you certain
that disclosing the truth

888
00:41:52,181 --> 00:41:54,850
to Detective Fusco is a wise choice?

889
00:41:54,851 --> 00:41:57,680
These days,
even the precinct's not safe.

890
00:41:57,681 --> 00:41:59,827
So maybe the best we can do is...

891
00:42:00,301 --> 00:42:02,654
trust each other.

892
00:42:03,351 --> 00:42:06,890
? We're half awake in a fake empire ?

893
00:42:06,891 --> 00:42:08,861
Very well,

894
00:42:09,761 --> 00:42:13,100
but there's an urgent matter now
that requires your attendance

895
00:42:13,101 --> 00:42:15,220
after you're finished.

896
00:42:15,221 --> 00:42:20,510
(MUSIC)

897
00:42:20,511 --> 00:42:23,970
There's a system listening
through every microphone,

898
00:42:23,971 --> 00:42:26,390
watching through every camera.

899
00:42:26,391 --> 00:42:28,640
(MUSIC)

900
00:42:28,641 --> 00:42:31,640
(ELECTRONIC FIZZLING)

901
00:42:31,641 --> 00:42:39,640
(MUSIC)

902
00:42:40,350 --> 00:42:43,679
? Turn the light out say good-night ?

903
00:42:43,680 --> 00:42:47,509
? No thinking for a little while ?

904
00:42:47,510 --> 00:42:50,309
? Let's not try to figure out ?

905
00:42:50,922 --> 00:42:54,509
? Everything at once ?

906
00:42:54,510 --> 00:42:57,469
? It's hard to keep track of you ?

907
00:42:57,470 --> 00:43:00,059
? Falling through the sky ?

908
00:43:00,060 --> 00:43:07,429
? We're half awake in a fake empire ?

909
00:43:07,430 --> 00:43:14,099
? We're half awake in a fake empire ?

910
00:43:14,100 --> 00:43:22,100
(MUSIC)

911
00:43:27,145 --> 00:43:35,001
Improved By: Fidel33
Sub Upload Date: May 31, 2016

Если вы заметили какие-либо ошибки на сайте или хотите что-либо посоветовать, поругать, похвалить пишите сюда: Вконтакте или uriymaster@delightenglish.ru

Выбор субтитров

главная	песни	уроки	диалоги
учебник	клипы	тесты	монологи
фильмы	аудиокурс	видеокурс	аудиокниги